Joe Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru). When he started to take violin lessons at age five, Hisaishi discovered his passion for music. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world.
In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978–1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. His first album, MKWAJU, was released in 1981, with Information being released a year later.
As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi." ("Quincy," pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones.")
In 1983, with his new name, Hisaishi was recommended by a record company to create an album for Nausicaä of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. This big break led to Hisaishi's overwhelming success as a composer of film scores.
In 1986, Laputa Castle in the Sky, and later, in the 1990s, Princess Mononoke and Spirited Away, were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV hits as Sasuga no Sarutobi, Two Down Full Base (both 1982), Sasrygar (1983), Futari Taka (1984) and Honō no Alpen Rose (1985). He also scored the sci-fi adventure Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Arion, Totoro (1988), Venus Wars, Kiki's Delivery Service (1989), and Porco Rosso (1992).
As a result of his work throughout the years, Hisaishi has won the Japanese Academy Award for Best Music six times—in 1992, 1993, 1994, 1999, 2000 and 2009. He also received the 48th Newcomer Award in 1997 from the Ministry of Education (Public Entertainment Section) among numerous other awards, being recognized as an influential figure in the Japanese film industry.
Hisaishi also released a new solo album in early 2009 featuring tracks from Shellfish and Departures. In November 2009, he was awarded with a Medal of Honour with purple ribbon by the Government of Japan

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ke yi bu yao copy and paste ma ling jing~
ni guan wo!!! =@ dun keep on complaining...
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